Showing posts with label Kevin Clash. Show all posts
Showing posts with label Kevin Clash. Show all posts

Tuesday, April 24, 2012

HISTORICAL TRIBUTE TO JIM HENSON'S MUSICAL WORLD AT CARNEGIE HALL

Host John Tartaglia sings with some of the Fraggles.
Photo Credit: Richard Termine


Earlier this year, when I first got wind of the news that there would be a tribute to the musical world of Jim Henson, I knew I had to be there.  If you've watched  any of Jim Henson's films and television shows, you know that MUSIC played an integral role to his productions. Plus, how often does a person get to see the whole lot of the Muppets perform alongside of the New York Pops and singing group Essential Voices USA? 

As the big day of Jim Henson's Musical World approached, the excitement ramped up.  Since the original posting of the event, Carnegie had added a long list of special guests and performers, including comic Rachel Dratch;  Avenue Q performer John Tartaglia (who hosted the event); Elmo's Muppeteer and Sesame Street Co-Producer Kevin Clash; singer/songwriter Paul Williams; past and present cast of Sesame.

Carnegie Hall, here I come!

On the way over to the show, my husband and I both recognized Tau Bennett, the boy who appeared in Being Elmo because he had been mentored by master Muppeteer Kevin Clash. Tau was walking toward Carnegie Hall with his family.  Something about seeing Tau, and knowing he had traveled from Atlanta to be here for this occasion, caused a wave of emotion to wash over me.  Seeing him made me think about the way the branches of Henson's legacy continue to reach out and out and out into multiple generations, into so many homes, hearts, and lives, into hundreds of countries around the globe.

After spotting Tau, Mike and I walked into a small cafe for a pre-show snack.  There, we saw two children and their mom talking excitedly about all the Muppets they would be seeing.  Also eavesdropping on the family were two young men, who, judging by their matching all-black outfits, would be singing in the show.  I approached them and struck up a conversation.  "It really didn't hit us what we were going to be part of until we saw them [the Muppets] coming onto the stage today," they said.  "Yeah," Mike and I replied,"You should see the huge crowd of people waiting in the lobby!"

Once seated in Carnegie Hall,  I could see some of the folks from the Jim Henson Legacy milling around, including the show's writer, Craig Shemin.  I imagined he might be kind of nervous, seeing as how this was a never-been-done before kind of performance with lots of people waiting to see what would happen.

What did happen was absolutely magnificent.

Jim Henson's Musical World  began with footage of Muppet Rowlf the Dog's appearance at Carnegie Hall in 1965.  Then, good old Rowlf appeared in the flesh (or should I say in the fur), saying how he was glad to be back after 47 years.

Other folks eventually joined Rowlf, including Maestro Steven Raneke and the show's host, John Tartaglia.

Muppets Statler and Waldorf made an early appearance from their seats in the balcony, doing what they do best - heckling folks on the stage!

Here are some of the highlights from the rest of the show:
  • The theme song from The Muppet Show, performed by Dr. Teeth and The Electric Mayhem.
  • Footage of Jim Henson
  • The Fraggles singing Pass It On
  • Cookie Monster Singing C is for Cookie
  • Ernie and friends crooning Rubber Duckie (with Elmo providing the "Squeak! Squeak" sound of the duck)
  • Muppets & humans singing Just One Person  (a song sung at Jim Henson's funeral)
The real tear-jerker came when a whole bunch of people and Muppets sang Rainbow Connection.  There were few dry eyes in the audience.

I was elated to be at this monumental event where Muppets and people from all arms of Jim Henson's legacy came together to carry his message forward through music.

I have a feeling this is only just the beginning of more great things to come.

For more coverage of Jim Henson's Musical World, check out these articles:

Muppet Wiki: Jim Henson's Musical World
Entire Muppet clan reunites for "Jim Henson's Musical World" concerts at Carnegie Hall
Can You Tell Me How to Get, How to Get to Carnegie Hall?

Saturday, March 24, 2012

ALL-STAR LINEUP OF GUESTS TO APPEAR AT JIM HENSON'S MUSICAL WORLD AT CARNEGIE HALL ON APRIL 14


On Sunday, April 14th, Carnegie Hall will host JIM HENSON'S MUSICAL WORLD.  The performance is a family concert and performed by The New York Pops.
.
To purchase tickets to this special event, click HERE
.
Here is an overview of the evening as it appears on the Carnegie Website:
.
The magic of the Muppets comes alive as The New York Pops pays a musical tribute to Jim Henson's great legacy through song and puppetry.

In collaboration with The Jim Henson Legacy

With special thanks to Disney, The Jim Henson Company, and Sesame Workshop.

Performers
The New York Pops
Steven Reineke, Music Director and Conductor
John Tartaglia, Host
Essential Voices USA
Judith Clurman, Music Director and Conductor
Craig Shemin, Writer
Daniel Seth, Associate Director

Special Guest Appearances by:
Pam Arciero
Alison Bartlett
Leslie Carrara-Rudolph
Kevin Clash
Stephanie D'Abruzzo
Rachel Dratch
Dave Goelz
Eric Jacobson
Rollie Krewson
Lara MacLean
Dr. Loretta Long
Sonia Manzano
Bob McGrath
Alan Muraoka
Roscoe Orman
Karen Prell
David Rudman
Nitya Vidyasagar
Matt Vogel
and
Paul Williams
The New York Pops: Jim Henson's Musical World

Thursday, February 16, 2012

ALL THINGS SESAME STREET

Over the past four years, I have had the honor of interviewing a group of long-time cast, crew, and writers from the cultural juggernaut that is Sesame Street.  It started with an in-person Q&A with Elmo Muppeteer and Sesame Co-Producer Kevin Clash. 

Kevin suggested I also talk to cameraman Frank Biondo, who has been with Sesame from the get-go, as well as Fran Brill.  You may know Fran as Zoe and, starting from way back when, Prairie Dawn.

While on the set with Frank, I also got to meet Big Bird Muppeteer Carroll Spinney, as well as a young person who started writing letters to Carroll at age five. 

What a  treat to meet Bonnie Erickson, who used to work for Sesame and who also created Ms. Piggy, Statler, Waldorf, and other iconic Muppets, to find out her life story.

I went back on set to watch and interview Snuffy and Telly's Muppeteer Martin Robinson.  While observing Martin in action (from inside of Mr. Hooper's store, no less!), I met Kevin Clash's right hand hand, storyboard designer, and SuperGrover float creator Louis Henry Mitchell.

Most recently, I got to do some Q&Awith Annie Evans, Sesame writer and also wife of Martin Robinson.  (They got married on the set!)  And then went to Elmo's birthday party to help him celebrate 3.5 years!

I feel so grateful to have met all these amazing people and look forward to more Sesame adventures.

If you have a Sesame cast or crew member you would like me to interview, drop at line at ETraubman@aol.com

Here are the posts about all the folks mentioned above:

Thursday, January 12, 2012

LOUIS HENRY MITCHELL: THE ART OF SESAME STREET

When Louis Henry Mitchell and I come out of watching archival footage of Jim Henson's television appearances as himself and as various Muppet characters, I ask Louis what he is thinking about.

"I never met him," replies Louis, referring to Jim Henson. "I've met his friends and family. I wish we could have met."

Still, Louis feels grateful that, as Sesame's Associate Design Director of Special Projects, he gets to "influence what Jim considered to be his [Jim's] most important work, and the work of someone [Henson] whose work is so important to me."

Louis' connection to Henson goes all the way back to his own youth, when he saw the Muppets on The Ed Sullivan Show and then watched Jim Henson come out from behind the scenes to shake Mr. Sullivan's hand.

"Seeing Jim Henson on tv triggered something in me," Louis reflects. "I thought if a man was doing that, maybe I could do that, too."

Years later, as an adult, Louis submitted his portfolio multiple times to the Muppet headquarters in Manhattan. After eight months of delivering his work, he was hired by Jim Mahon, a man who would become his Muppets mentor. From there, Louis quickly became a top licensing artist, creating art for many Sesame products. It has now been twenty years since Louis was brought on board the Sesame crew.

One of the challenges of Louis' work is "to keep growing in it, and not just relax in it." Along those lines, Louis feels it's important to remind the folks at Sesame Workshop that "It's about education and an art form, not just [about] business. [...] History means so much to me. I don't let it become a commercial venture. Everything should point back to the curriculum. Ultimately, for me, it is about the children."

When I ask Louis to expand on what he sees as being his unique contribution to Sesame, he has this to say:

"I keep everyone thinking like children, to not lose sight of who the work is for. We have a sacred mission to reach out to children, to families around the world. It's a sacred trust. We have to keep things interesting without resorting to sensationalism. I see this as not just a job, but a mission."
And with a show that claims such longevity (Sesame is now entering into its 43rd season), how does Louis find a balance between innovation and tradition?

"It's really about how things blend and grow together," reflects Louis. "History is influenced by technology. Innovation looks back and respects history. You don't forget where you came from."

One place where Louis himself has balanced, in a literal sense, that respect for both history and
technology is in his job of overseeing the making of the Sesame balloons for the Macy's Thanksgiving Day Parade in New York City. For this special event that is witnessed annually around the globe, Louis has supervised the construction of both the Super Grover and Big Bird balloons as well as the float that the actors and Muppets ride on through the parade.

As Louis explains: "Aerodynamics and physics are incorporated into the design. More cables were needed for Big Bird, causing him to have a bigger than usual head and shorter- and smaller-than-usual legs. I resculpted the balloon to give it more balance and everyone was happy."

Louis brings leadership to other Sesame initiatives as well. Product managers consult with him about decisions around characters, like what phrases and slogans they (the characters) should use on toys and other various products. Louis has also been the one to answer letters which children write to Sesame characters.

Louis' advice for other people who want to make a living from their craft?

"Discover what is in your heart and let it speak to you. Who are you here to be and what are you here to do? It's all about discovery. Once you find out what that is, do not hesitate or you will block the flow. Give it all you got."

Tuesday, December 06, 2011

LOUIS HENRY MITCHELL: SESAME STREET'S STORYBOARD MASTER



The Big Dream of working for Sesame Street Part 1 from The Spiritstorm School on Vimeo.

When I visit the set of Sesame Street, there's the story or interview I came to get and then there's the unexpected story I walk away with. Take, for example, when I went on set to interview long-time cameraman Frank Biando and ended up also meeting Big Bird's performer Carroll Spinney and Justin, the (then) pre-teen who had met Carroll because of the many letters he had written to Mr. Spinney starting at age 5.

Last week, I was on set to watch in action and interview long-time Sesame puppeteer Marty Robinson (stay tuned for the post about him!). A ways into the shoot, I was invited to come sit at the counter in Mr. Hooper's store to get a better view of the puppeteers. Sitting on the stools beside me were a man and a woman. The man was doing sketches of scenes with Sesame characters. Intrigued, I struck up a conversation.

Turns out the man was Louis Henry Mitchell, Sesame's Associate Design Director of Special Projects. He was sitting next to his wife, Jackie. Turns out they just got married!

Here are some of the interesting and amazing things that Louis does and did for Sesame:

* Create storyboards the for production of Sesame Street
* Design video covers for all new titles
* Designed the Planetarium Project for the Museum of Natural History
* Design Sesame Street Google Doodle
* Design and install Brooklyn Library Sesame Street Muppet Exhibit
* Design Macy's Thanksgiving Day Parade float and two of the previous balloons, Big Bird and Super Grover
* Create gift portraits including a special gift for Vice President Joe Biden and wife, Dr. Jill Biden with the Sesame Street Muppets.
* Teach and train artists all over the world how to draw the Sesame Street Muppets through the Muppets' personalities

P.S. - There is a series of wonderful interviews with Louis on The Muppet Mindset: Part I * Part II * Part III * Part IV

Tuesday, February 15, 2011

GOOD NEWS! THERE'S A NEW DOCUMENTARY ABOUT KEVIN CLASH, THE MAN BEHIND ELMO!

In 2007, I had the honor of conducting a face-to-face interview with Kevin Clash, the puppeteer behind Elmo and a Co-Producer of Sesame Street. I welcome you to take a peek at the interview that has become the most visited post on my blog.

Imagine my delight when I discovered that there was a new documentary out about Mr. Clash. Doing some internet research, I learned that it was produced and directed by Connie Marks. Ms. Mark's film,Being Elmo: A Puppeteer's Journey, won the 2011 Special Jury Prize in the U.S. Documentary Competition at the Sundance Film Festival.

To learn more about the film CLICK HERE
To follow the film on Facebook CLICK HERE

Tuesday, November 10, 2009

IN HONOR OF SESAME STREET'S 40TH YEAR: REPRINT OF KEVIN CLASH INTERVIEW

Originally posted on Friday, July 27, 2007

During a recent family vacation in an island off the coast of Seattle, I spent a lot of time playing with my nephew, Tyler. Tyler is two years and 4 months old. He loves to greet every person who comes in the room, jump on his older brother, and look at picture books. He is full of passion for life. When I play with Tyler, I follow his lead as much as possible. One evening, I sat quietly with Tyler as he lined up crayons next to each other and drew circles of all colors and sizes. One morning at the beach, I held Tyler’s hand as he walked in and out of the water, looking at the waves, the light, the skim boarders at water’s edge. Once in a while, Tyler would let out a shriek of delight accompanied by a joyful leap. Mostly, though, he wanted just to walk and look. I stayed with him as he did that for about a half an hour.

I can think of few activities more rewarding or important than to follow a young person’s mind. It does take a conscious decision to not insert my idea of how things should go. There’s always a pull to worry about how a child is going to “turn out,” and direct him or her to activities that will (seemingly) ensure success in the future as a “productive” or “well adjusted” adult. But I have a hunch that if we adults spent more time following the creative minds and pursuits of young people, more humans would have lives that they are truly passionate about. Kevin Clash is the proof in the pudding.

Kevin Clash is the puppeteer behind Elmo, the lovable, furry red muppet who has won the hearts of millions on Sesame Street. I gathered information about Kevin by reading his book – My Life as a Furry Red Monster – and by meeting him in person at his Sesame Workshop office. Most inspiring was learning the details about a life of love and support from family, friends, neighbors, and mentors who backed Kevin’s passion for puppetry from the start. Kevin’s rich history as a producer and puppeteer shows that good things happen when adults pay close attention to and nurture the creative and artistic sensibilities of children.

Kevin’s Life in a Nutshell
Kevin grew up in a working class, African heritage suburb of Baltimore, Maryland with a mom, a dad, and three siblings. He spent countless childhood hours creating puppets and puppet shows, getting plenty of inspiration from television programs such as Captain Kangaroo, Good Times, and, of course, Sesame Street. During his younger years, Kevin performed shows for neighborhood folks, for audiences in the wider Baltimore area, then for local television programs.

Like other children who do something off the beaten path, Kevin got a dose of teasing and raised eyebrows. He also experienced the insidious messages of racism. Fortunately, the love and support he got from his family and community balanced out forces that may have otherwise swayed Kevin from his path. As Kevin says in his book, “Society was still sending a loud message that black children like us didn’t have much to aspire to, but that negative talk was drowned out by our parents, who taught us that our dreams were worthy simply because they were ours.”

Gladys and George Clash operated as a team to back their son’s passion. They kept Kevin well-stocked with art supplies and fabrics; took him to his first gigs as a performer; drove him to hobby shops; and connected Kevin to professionals who would help him along his career path. Kevin also has vivid memories of what each parent did individually to support him. George, a flash welder and neighborhood handyman, helped Kevin build puppet stages out of salvaged scrap wood. He also kept his cool when Kevin used his (George’s) furry church coat to fashion a puppet named Moandy, responding to the discovery of his cut-up coat with a firm yet kind: “Next time, ask.” Gladys, a home-based daycare worker, was a talented seamstress who taught Kevin to sew on her old Singer machine. She was also the one who helped Kevin land one of his first big breaks by connecting him with Kermit Love, a man who would become one of Kevin’s key mentors.

When Kevin was in high school, he saw Kermit Love featured on an episode of Call It Macaroni, a children’s television show. Kevin was blown away by the fact that an adult was making a successful living from his passion – designing costumes and puppets for everyone from George Balanchine’s dancers to Sesame Street’s Big Bird. Through perseverance, Gladys got in touch with Love who in turn invited Kevin to come to his workshop in New York City. Shortly after that visit, Kermit invited Kevin to be Cookie Monster’s puppeteer in the 1979 Macys Thanksgiving Day Parade.

In the 1980s, Kevin became a puppeteer for Sesame Street and also participated in a number of Jim Henson productions. In addition to winning the hearts of millions as Elmo on Sesame Street, Kevin has won multiple awards for his work as co-executive producer of Elmo’s World.

Kevin on Mentoring
In reflecting on the trajectory of his life, Kevin is clear that mentoring and other forms of support have been key to his success. He also recognizes that support can mean space and freedom and it can also mean the kind of tough-love guidance that keeps a person grounded. Kevin acknowledges that he has relied on others to keep him rooted in a life of integrity. Said Kevin during our chat at Sesame Workshop, “Stardom stinks if you don’t have people telling you the truth. You need people who teach you that there are rules to abide by if you want to keep being a success with family and with business.” Kevin fondly described several of the mentors who did help him grow as an artist through truth-telling; these folks include Stu Kerr, Kermit Love, and Jim Henson.

Stu Kerr, a television personality, was Kevin’s first mentor. When Stu saw Kevin’s puppetry at a local fair, he invited Kevin to perform in a television show called Caboose. Through Caboose, Kevin eventually landed a spot on Captain Kangaroo. Kevin credits Stu with teaching him about the importance of cooperation in working with other professionals, both from the creative and business aspect of things.

Speaking about costume and puppet designer Kermit Love, Kevin commented: “He took me under his wing like I was a grandson. He was so positive, guiding me in the right direction. When the time came to decide to go to college, he encouraged me to stay working with Jim Henson.”

And, finally, Kevin said of Jim Henson: “Jim was so approachable; there was no ego. Jim’s message was ‘Let’s have a good time and respect each other and give back.’ With Jim, you learned the craft by watching and by doing. It was intimidating to be the new kid on the set and Jim stuck with me.”

Kevin has been blessed with the sound guidance of these three and countless other guides. He also knows, particularly from his childhood days, that adults must step back enough to trust the rightness of what children love to do and want to pursue. On the topic of supporting young people in their journeys, Kevin says this in his book:

“You can teach your children all the basics and then some, and they will turn right around and use their knowledge in wonderful, powerful ways you can’t even imagine. That’s the beauty of learning. But it can be hard to resist pulling on the reins and, at some point, steering kids away from what they want to learn to what you think they need to know to be successful. […]

Dreams are fragile things, but when they’ve been bolstered by the support of parents and teachers, and reinforced with early success, they can withstand the skeptics and take flight. When I was a kid, my dad and I spent a lot of time together building things, and I can’t help but think of this metaphor: Kids are the architects of their own dreams. I know that I was.”

Labels: , , ,

6 Comments:

At 6:15 PM, Anonymous louise crawford said...

beautiful. The picture is great, too.

At 11:17 AM, Anonymous Missy said...

Wonderful interview, Eleanor!

At 10:16 PM, Anonymous Morgan Doninger said...

I was touched by this entry, both about your nephew and about Kevin Clash. Keep up the good work!

At 10:23 PM, Anonymous Cica & Lizzy =D said...

me(lizzy) and my mom read the story together and loved it. it wasn't too long, but gave just the right amount of info. when it ended i realized it was like a essay- especially the ending paragraph(which i thought was really well written). 1st time i was interested in elmo since i was 4! really welldone!!!!cant wait 2 read more of your blog!

At 8:11 AM, Anonymous Anonymous said...

I see you are really enjoying your summer. Great blog I was touch by your story of your nephew and about Kevin AkaELMO. Keep up the good work see you soon
peace monse

At 11:13 AM, Blogger rafiqkie said...

its hard to believe that man is really can do small voice for red monster elmo...quite impress! i grew up watching sesame street since i was 9...thx sesame street! thx very much..

Friday, July 27, 2007

MEET KEVIN CLASH, THE MAN BEHIND ELMO

During a recent family vacation in an island off the coast of Seattle, I spent a lot of time playing with my nephew, Tyler. Tyler is two years and 4 months old. He loves to greet every person who comes in the room, jump on his older brother, and look at picture books. He is full of passion for life. When I play with Tyler, I follow his lead as much as possible. One evening, I sat quietly with Tyler as he lined up crayons next to each other and drew circles of all colors and sizes. One morning at the beach, I held Tyler’s hand as he walked in and out of the water, looking at the waves, the light, the skim boarders at water’s edge. Once in a while, Tyler would let out a shriek of delight accompanied by a joyful leap. Mostly, though, he wanted just to walk and look. I stayed with him as he did that for about a half an hour.

I can think of few activities more rewarding or important than to follow a young person’s mind. It does take a conscious decision to not insert my idea of how things should go. There’s always a pull to worry about how a child is going to “turn out,” and direct him or her to activities that will (seemingly) ensure success in the future as a “productive” or “well adjusted” adult. But I have a hunch that if we adults spent more time following the creative minds and pursuits of young people, more humans would have lives that they are truly passionate about. Kevin Clash is the proof in the pudding.

Kevin Clash is the puppeteer behind Elmo, the lovable, furry red muppet who has won the hearts of millions on Sesame Street. I gathered information about Kevin by reading his book – My Life as a Furry Red Monster – and by meeting him in person at his Sesame Workshop office. Most inspiring was learning the details about a life of love and support from family, friends, neighbors, and mentors who backed Kevin’s passion for puppetry from the start. Kevin’s rich history as a producer and puppeteer shows that good things happen when adults pay close attention to and nurture the creative and artistic sensibilities of children.

Kevin’s Life in a Nutshell
Kevin grew up in a working class, African heritage suburb of Baltimore, Maryland with a mom, a dad, and three siblings. He spent countless childhood hours creating puppets and puppet shows, getting plenty of inspiration from television programs such as Captain Kangaroo, Good Times, and, of course, Sesame Street. During his younger years, Kevin performed shows for neighborhood folks, for audiences in the wider Baltimore area, then for local television programs.

Like other children who do something off the beaten path, Kevin got a dose of teasing and raised eyebrows. He also experienced the insidious messages of racism. Fortunately, the love and support he got from his family and community balanced out forces that may have otherwise swayed Kevin from his path. As Kevin says in his book, “Society was still sending a loud message that black children like us didn’t have much to aspire to, but that negative talk was drowned out by our parents, who taught us that our dreams were worthy simply because they were ours.”

Gladys and George Clash operated as a team to back their son’s passion. They kept Kevin well-stocked with art supplies and fabrics; took him to his first gigs as a performer; drove him to hobby shops; and connected Kevin to professionals who would help him along his career path. Kevin also has vivid memories of what each parent did individually to support him. George, a flash welder and neighborhood handyman, helped Kevin build puppet stages out of salvaged scrap wood. He also kept his cool when Kevin used his (George’s) furry church coat to fashion a puppet named Moandy, responding to the discovery of his cut-up coat with a firm yet kind: “Next time, ask.” Gladys, a home-based daycare worker, was a talented seamstress who taught Kevin to sew on her old Singer machine. She was also the one who helped Kevin land one of his first big breaks by connecting him with Kermit Love, a man who would become one of Kevin’s key mentors.

When Kevin was in high school, he saw Kermit Love featured on an episode of Call It Macaroni, a children’s television show. Kevin was blown away by the fact that an adult was making a successful living from his passion – designing costumes and puppets for everyone from George Balanchine’s dancers to Sesame Street’s Big Bird. Through perseverance, Gladys got in touch with Love who in turn invited Kevin to come to his workshop in New York City. Shortly after that visit, Kermit invited Kevin to be Cookie Monster’s puppeteer in the 1979 Macys Thanksgiving Day Parade.

In the 1980s, Kevin became a puppeteer for Sesame Street and also participated in a number of Jim Henson productions. In addition to winning the hearts of millions as Elmo on Sesame Street, Kevin has won multiple awards for his work as co-executive producer of Elmo’s World.

Kevin on Mentoring
In reflecting on the trajectory of his life, Kevin is clear that mentoring and other forms of support have been key to his success. He also recognizes that support can mean space and freedom and it can also mean the kind of tough-love guidance that keeps a person grounded. Kevin acknowledges that he has relied on others to keep him rooted in a life of integrity. Said Kevin during our chat at Sesame Workshop, “Stardom stinks if you don’t have people telling you the truth. You need people who teach you that there are rules to abide by if you want to keep being a success with family and with business.” Kevin fondly described several of the mentors who did help him grow as an artist through truth-telling; these folks include Stu Kerr, Kermit Love, and Jim Henson.

Stu Kerr, a television personality, was Kevin’s first mentor. When Stu saw Kevin’s puppetry at a local fair, he invited Kevin to perform in a television show called Caboose. Through Caboose, Kevin eventually landed a spot on Captain Kangaroo. Kevin credits Stu with teaching him about the importance of cooperation in working with other professionals, both from the creative and business aspect of things.

Speaking about costume and puppet designer Kermit Love, Kevin commented: “He took me under his wing like I was a grandson. He was so positive, guiding me in the right direction. When the time came to decide to go to college, he encouraged me to stay working with Jim Henson.”

And, finally, Kevin said of Jim Henson: “Jim was so approachable; there was no ego. Jim’s message was ‘Let’s have a good time and respect each other and give back.’ With Jim, you learned the craft by watching and by doing. It was intimidating to be the new kid on the set and Jim stuck with me.”

Kevin has been blessed with the sound guidance of these three and countless other guides. He also knows, particularly from his childhood days, that adults must step back enough to trust the rightness of what children love to do and want to pursue. On the topic of supporting young people in their journeys, Kevin says this in his book:

“You can teach your children all the basics and then some, and they will turn right around and use their knowledge in wonderful, powerful ways you can’t even imagine. That’s the beauty of learning. But it can be hard to resist pulling on the reins and, at some point, steering kids away from what they want to learn to what you think they need to know to be successful. […]

Dreams are fragile things, but when they’ve been bolstered by the support of parents and teachers, and reinforced with early success, they can withstand the skeptics and take flight. When I was a kid, my dad and I spent a lot of time together building things, and I can’t help but think of this metaphor: Kids are the architects of their own dreams. I know that I was.”