Saturday, February 08, 2014

BRIC ARTS MEDIA PRESENTS "BROOKLYN GOES TO THE OSCARS" ON FEBRUARY 18



















February 18, 2014 · 7:00 PM
BRIC House Stoop
FREE

Brooklyn goes to the Oscars with this Stoop Series featuring nominated films selected by Filmwax Radio’s Adam Schartoff.

Filmwax Radio is a 30-minunte program on BBox (Brooklyn Community Radio) that consists of interviews with folks from the Brooklyn indie film scene. Schartoff, a long time resident of Brooklyn, is founder and programmer Filmwax.

BRIC’s Stoop Series illuminates the arts and life around us in Brooklyn through artistic performances and presentations, framed by dynamic conversations with some of the city’s most innovative artists, thinkers, and tastemakers. Programs will explore the performing arts, film, media, visual arts, spoken word, and other creative fields. Engage with of the most innovative artistic voices in Brooklyn's ever-expanding cultural scene on the monumental interior stoop of BRIC House, Brooklyn's new home for the arts in downtown Brooklyn. Free, on most Tuesday nights.

OTHER UPCOMING "STOOP SERIES" EVENTS:

February 25: The Shed Storytelling Salon
March 4: Into the Loop: Friendly Falcons
March 25: Bklyn Artisanal Army
April 29: Real Characters



BRIC Arts | Media House
647 Fulton St.
Brooklyn, NY 11217


Tel: 718.683.5600
Fax: 718.802.9095
Email: bric@BRICartsmedia.org

Subway to BRIC House:

2, 3, 4, 5 to Nevins St
B, Q, R to Dekalb Ave
C to Lafayette Ave
G to Fulton
Steps from the Atlantic Terminal and the Long Island Railroad

Monday, February 03, 2014

BRIC HOUSE PARTY THIS SAT FEB 8: FIND YOUR WOW FACTOR, FEAT. CHERYL and BUSHWIG


CHERYL


2 PM | FREE DAYTIME ACTIVITIES


8 PM | Dance Party featuring CHERYL and Bushwig $10 Adv / $13 Door


Find your WOW factor, as BRIC celebrates individuality and imagination with a host of all-ages activities. Dance the night away with performers from Bushwig, Brooklyn’s annual festival of queer expression, drag queens, and music. CHERYL, Brooklyn’s video and performance art group, caps off the night with its exuberant sound and high-spirited displays of creativity sure to bring out your inner party monster.






SCHEDULE OF EVENTS
All Day
Boardgames!
Come play games such as Checkers, Connect Four, Candyland, Uno, Twister and more on the Stoop and in the gallery, all day long!
FREE | GALLERY & STOOP


2-4pm
Digital Remix

Green screen activity engaging visitors of all ages to create masks and props to perform with in front of a personally chosen green screen fantasy environment.
FREE | FLOOR TELEVISION STUDIO


2-3pm 
Family Dance Class: SOCA with instructors from The School at Mark Morris Dance Group
SOCA is a fun dance experience accompanied by Soca music (a blend of calypso and soul music created in the early 60s). The class will start with a short warm up, teach you some basic moves, and end with a short choreography sequence. No previous dance experience required.
FREE | BALLROOM


3:30-5pm 

Super Storytelling and Bookmaking Activity with 826NYC
826NYC, which is the home of the Brooklyn Superhero Supply Co., will lead youth and families through creating a character, imagining a dramatic storyline, and resolving the scene with heroic style. Participants will walk away with their very own book and have the opportunity to share their story with the crowd!
FREE | GALLERY & STOOP


5-6pm
Brooklyn Free Speech TV Screening
Hosted By Amar Taborn of Love We World Tour, we'll check out the colorful variety of short videos produced by everyday people here at BRIC House, including:
*  Dare 2 Dream: A Father’s Guide to Success – Teaching the values of being a father  (Produced by Coach Stevan Lynn.)
*  Paper Girl - A colorful exploration of fashion and entertainment (Produced by Ftema Raysor.)
*  The Hambone Show – Edgy sketch comedy that tackles real life and the movie (Produced by Powell Burns.)
FREE | STOOP


6:30pm
Paris Is Burning Screening

Paris Is Burning is a critically acclaimed documentary filmed in the mid-to-late 80s, chronicling the ball culture of New York City and the African-American, Latino, gay, and transgender communities involved in it.
FREE | STOOP






8-11pm
Dance Party!

CHERYL with a performance by BUSHWIG
$10 | BALLROOM
To purchase tix to dance party, click HERE




BRIC House Ballroom
A flexible performance space (240 seated to 400 standing capacity) that accomodates a wide variety of configurations and performance styles. Located on the first floor of BRIC Arts | Media House. 


Location
647 Fulton Street
(Enter on Rockwell Place)
Brooklyn, NY 11217
Google Map


Contact Information
Tel: 718.683.5600


Directions
2/3/4/5 to Nevins St | B/Q/R to DeKalb St | G to Fulton St

Wednesday, January 29, 2014

FREE PUBLIC EVENT ON SUNDAY FEB 9 - SEEING COLOR: CASTING AFRICAN AMERICANS IN SHAKESPEARE


 Seeing Color: Casting African Americans in Shakespeare
 
 Sunday, February 9th, 6:30pm

  Polonsky Shakespeare Center, 262 Ashland Place, Brooklyn, NY
  

In this 50th anniversary year of the Civil Rights Amendment of 1964, Theatre for a New Audience presents “Seeing Color: Casting African Americans in Shakespeare.”

The panel includes actress, poet, and playwright NEHAISSAIU DeGANNES, actor JACOB MING-TRENT, Shakespeare and ‘race performance’ scholar AYANNA THOMPSON (George Washington University), and award-winning actor JOHN DOUGLAS THOMPSON. Moderating the panel will be KATHARINE GOODLAND (College of Staten Island), who has interviewed hundreds of actors, directors, producers and artists for her groundbreaking project, “Mythologizing Cultural Trauma: Representing Blackness in Contemporary American Shakespeare Productions."

"Seeing Color" is intended to cut to the heart of colorblind casting in Shakespeare today, asking not ‘do we see color’ but ‘should we see color,’ especially in Shakespeare. Focusing specifically on the performance history of African Americans in Shakespeare and the experience of black actors and theatre professionals today, we will explore these and other questions in a determined attempt to define and question our perceptions of race.

The event will take place on Sunday, February 9th, 6:30pm, at the Polonsky Shakespeare Center, 262 Ashland Place, Brooklyn, NY.

To RSVP or for further information, contact humanities@tfana.org or visit www.tfana.org.


Thursday, January 09, 2014

CHECK OUT THE AWESOME OFFERINGS OF THE ALL NEW BRIC HOUSE


You might know BRIC as the force behind the Celebrate Brooklyn! Festival held in Prospect Park.  They've been running that show since 1979, but they've also acted as a creative home for Brooklyn's arts and artists.

BRIC is about three main things - contemporary art, performing arts, and community media.  Up until recently, these three divisions have been housed in 3 separate places.  But now, happily, each component lives under one big roof called BRIC House.

Located at 647 Fulton Street  (at Rockwell Place), BRIC House sits amongst other great art organizations and instituations like BAM Harvey and 651 Arts, Mark Morris Dance Center, and Theatre for a New Audience.
Here is a description of BRIC's spaces, taken directly from their website:


  • A flexible Performance Space (240 seated to 400 standing capacity), known as the BRIC House Ballroom, equipped with a sprung floor for dance and flexible seating to accommodate a wide variety of configurations and performance styles. An entirely new professional resource for the performing arts in Brooklyn, the Ballroom also features dressing rooms, a green room for artists and state-of-the-art sound and lighting equipment –supporting high-quality production values.
  • An intimate, flexible Artist Studio dedicated to emerging and mid-career artists, with an audience capacity of 75 for rehearsals and performances in workshop settings. This space can also transform into a workspace for visual artists.
  • 3,000-square-foot Gallery with dramatic 18-foot ceilings permits major exhibitions focused on emerging and mid-career artists and curators. A Project Room adjacent to the gallery will be an added resource for video work, BRIC’s emerging curator program, small-scale exhibitions and experimental curatorial projects.
  • state-of-the-art public access television center includes a new glass-walled studio and control room on the ground floor of the facility (fully visible to the public), as well as fully renovated and upgraded studios, editing suites, public equipment and media training lab on the second floor.
  • The Stoop, an all-new public cultural gathering space, featuring free, drop-in programming for all ages.
  • A café from Hungry Ghost, a Brooklyn-based coffee bar and café.
  • Classroom space to expand BRIC’s media education program.
  • All programming spaces, as well as the lobby, are to be fully wired to the master control room to support live cablecasts of select events to over 500,000 Brooklyn households and beyond on the web.
  • BRIC House is open every day. Free admission to the facility. 

BATALA ALL WOMEN PERCUSSION BAND ROCKS IT AT BRIC HOUSE

                                                                                       
I was looking for ways to experience BRIC House, "a multidisciplinary arts and media center designed to support artists and engage the public."

So when I read on BRIC's Facebook Page that they would be filming an all-women's AfroBrazilian Samba Reggae drumming band live and that the public could attend for FREE, I jumped at the opportunity to be there.  

Wow, so glad I ventured out in the cold!  These women produced some seriously powerful and joyful sounds.  Their director explained that there are many Batala bands all around the world, but only 5 of them are all women; New York's group is one of the 5. 

Turns out that two of my friends - Anne Pope and Keka Marzagao - are in the group. What a great surprise!

One nice thing to note about BRIC's new space is that there is a beautiful cafe where you can grab a tea or some grub and enjoy it while you watch a performance right there at The Stoop.

BatalaNYC has shared the bill with the likes of Reggie Watts and Cyndi Lauper.  They've also opened for The Rolling Stones50th Anniversary Tour.  They've performed at the NYC Figment Festival, The World Maker Faire, The Museum Mile Festival, The Mermaid Parade, and many more big events.

BatalaNYC gives some of their background info on their site:
The music of Batala originates in Salvador de Bahia, in North Eastern Brazil.  The international Batalá family owes its existence to Giba Gonçalves, a drummer and composer from Salvador, Bahia, Brazil. In Brazil, he was one of the founders of Cortejo Afro, an arts education project to help underserved young people living in poor communities.  When he moved to Paris in 1997, he started up Batalá in Paris as the European wing of the project. Batala has since spread to over 30 international cities.

Thursday, January 02, 2014

THIS SUNDAY, JAN. 5: FREE PUBLIC LECTURE ABOUT THEATRE FOR A NEW AUDIENCE




Creating a Theatre for a New Audience: The Intersection of Architecture, Design, and Theatre

FREE PUBLIC EVENT
 
Sunday, January 5, 2014 at 5:30pm
 
Theatre for a New Audience
 
at Polonsky Shakespeare Center
 
262 Ashland Place, Brooklyn
 
In 2000, Harvey Lichtenstein, recently retired executive director of BAM, invited Theatre for a New Audience (TFANA), a modern classical theatre, to build its first home in what was previously known as the BAM Cultural District. Established in 1979, TFANA produces Shakespeare alongside a wide range of other major authors.

Jeffrey Horowitz, Founding Artistic Director, wanted space that would be both intimate and epic, but without one fixed perspective, so that artists could change the configuration of the stage and audience depending upon the needs of a particular play and production.

Over the next year, TFANA will host a series of free public discussions, which will focus on how theatrical design can support art. Part One of the Series is a conversation between Jean-Guy Lecatscenic designer and architectural consultant for Peter Brook’s Théâtre des Bouffes du Nord in Paris and BAM Harvey Theater, and consultant to Jeffrey Horowitz on the Scripps Mainstage at TFANA's Polonsky Shakespeare Centerand Randy Gener, award-winning editor, writer, critic, and artist

Monday, November 11, 2013

NEED HELP GETTING ORGANIZED FOR THE HOLIDAYS? LOOK NO FURTHER!


Attention busy New York women!

Do you feel overwhelmed by your holiday to-do list?

 Would you like to start 2014 with less clutter and more breathing space?

Let a veteran professional organizer help you to:

* Break down holiday to-do lists into manageable steps

* Get your holiday cards and gift-wrapping done

* Set up clutter-free zones in time for house guests and parties

* Clear your desk and get a great filing system in place in time for 2014!


For more information: ETraubman(at)gmail(dot)com

Eleanor has been organizing busy New York women since 2000. Her work has been featured in Time Out New York • Fitness • Family Circle • Only the Blog Knows Brooklyn • The Brooklyn Paper

Tuesday, October 08, 2013

THE MAGIC OF SPECIAL TIME


Special time is the practice of regularly setting aside time to follow a child's lead in play. This article originally appeared in Park Slope Parents.

It’s no mystery that one of the biggest gifts you can give to your child is the gift of time and your undivided attention. It’s tough to give our complete attention these days, given that our adult plates are spilling over with projects, chores, errands, and concerns about what’s going on in the world. And with all of our portable electronic devices at hand, it’s getting harder to slow down the pace at which we live our lives.

There’s a great ritual you can add to your routine that will make it easier to protect the “undivided attention time” you give to your child, whether he is an infant or a teen. It’s called Special Time, and it has a huge and visible impact on the quality of your relationship with your child.

Here’s how Special Time works:

Tell your child in advance that you are setting aside a particular day and a certain length of time – somewhere between 30 minutes and an hour works well – to do exactly what he or she wants to do. By letting your child know ahead of time, you give your child a chance to start working on how to use the Special Time. Ideally, you can carve out this time on a regular basis – whether it’s weekly or a couple of times a month. Make it something your child can depend on and you’ll both reap the best rewards.

Follow up on your promise! Do not answer the phone, scan messages on your BlackBerry, chat with other adults, or wash the dishes during that allotted amount of time. It’s your job to fully respect your child’s mind and see where it takes the two of you. Pay close attention to your child’s verbal and non-verbal cues about what role s/he wants you to take on during Special Time. One child may want to you watch him in whatever he chooses to do; another might want you to play a more physically active role in her chosen pastime.

Believe me, it’s going to be tempting to guide or tweak the play in some way. Resist the pull to say “Hey, here’s an idea” or “Let’s do it this way.” Really see and follow where your child’s mind takes the two of you. If feelings of discomfort, boredom, or frustration arise for you during Special Time, just take mental note of them and keep going. Later, when you’re out of earshot of your child, you can vent to another adult about whatever came up for you. That way, you can keep coming back to Special Time with a fresh perspective.

Special Time, especially if done on a regular basis, has enormous benefits for your children and your relationship with each of them. By providing a safe space to try out ideas without reprimand or interference, you help build your children’s trust in you and the world around them. By following their minds completely, you help them gain confidence in their own thoughts and initiatives.

Special Time strengthens your connection to your child by letting you get to know your child in a different way. By paying close attention to facial expressions, gestures, words, and ideas, you learn more about skills your child wants to master, information he or she aims to make sense of, and tensions or fears to work though.

Over time – or maybe even right away! – your child may use something that happens during special time as a pretext to work through some big emotion that’s built up over time. Even if you don’t know where the upset is coming from, stay close during the tears or the anger, and let the feelings show until s/he is done and ready to go back into the play.

If you decide to give Special Time a try, let me know how it goes! I’d love to know about your successes and what you learn. I’ve been doing Special Time with young ones for more than 20 years, and I still discover something new about them, about me, and about the process each time.

Wednesday, September 25, 2013

BLOCK PAR-TAY!


Egg Toss
Decorated egg



Mike and John hanging out
Beans the Hotdog dressed as a hot fudge sundae



















Three years ago, one of the dads on our street (shout-out to Warren Cohen!) decided to organize a block party.  Word had it that 10 to 15 years had passed since there had been one on 1st Street in Brooklyn, NY.  He got some of us together for a meeting at a local bar, and we brainstormed ideas for activities.

"There's a lot of young children on our block, so maybe we should just have quiet activities."

The more experienced people who had grown up in the neighborhood set me straight: "So we'll have a DJ and a bouncy castle for starters."

I sat back and listened; clearly, they were the pros!

As it got closer to the actual event, more people stepped forward with ideas: a pet parade, bike decorating, temporary tattoos.  I volunteered to run a name tag table so people didn't have to be awkward if they didn't know each other's names.

A few days prior to that first block party, signs went up telling people to move their cars off the street.
The night before and the morning of the party, the cars disappeared as if by magic.  More magical, still, was the beautiful empty of the street presenting itself to all of us residents to fill it with whatever we wanted to.

The morning of that first party, there was a buzz of excitement in the air.  Young people came out of their homes and looked around, then came out to play with each other.  Slowly, the adults brought out tables and grills with food to share.

Then the bouncy castle arrived.  Bouncing happened, then the castle deflated and was driven away.

There was a pet parade, and one of the pets was a chicken brought over by a guest of one the street residents.  There was also a dog with a cape.  Some of the children brought out their stuffed animals, and came along for the procession.  It looked like something out of an Ezra Jack Keats book.

Then along came the DJ, and the children did tons of group dances - the Electric Slide, the Cha-Cha, a modified version of the Thriller dance.

The day stretched into evening, more food came out, more people kept talking to each other, the children kept playing, and when it was truly dark out, guys came around selling glow-in-the-dark toys that broke within the hour.

I was exhausted, but so happy, the day after that first block party.  Having a space - a physical space - and also the span of an entire day and evening for all of us to put aside our other responsibilities to just BE with each other was such a treat, and helped us remember each other during the rest of the year even amidst our busy lives.

Since that first block party, there have been two more.  In last year's event, an egg toss was added into the mix.  Also: Beans the dachshund arrived at the pet parade dressed in a soft sculpture hot fudge sundae outfit.   In this year's festivities, the children created a Wizard of Oz skit which they performed for a bunch of us.  People sat on a picnic blanket in the middle of the street until it was time to go to bed.  I ran my third year of the name tag-making table, where people could write their name and street number. 

I hope that this tradition continues on for many years to come.  It is such fun, and a terrific reminder that each block is a community unto itself.

Long live the block par-tay!

Tuesday, September 17, 2013

WHAT I LEARNED FROM FLOATING






Every time I see Angelica, one of the lifeguards at the YMCA, I want to run up and give her a hug.  Why? Because Angelica is the one who introduced me to floating.

I swim regularly at the Y, and count on my swims for the relaxation and rejuvenation that I feel afterwards, not to mention the cardiovascular benefits.  So imagine my dismay when a podiatrist, after x-raying my newly-fractured toe, told me not to go swimming.  I obeyed her orders for a little while,  and complained to my husband.  The surgical shoe I was wearing to protect my toe was throwing my whole body off kilter, causing other problems on top of the injured toe.  I was in dire need of the comfort that only a swimming pool could offer.

Finally,  my wise husband said "Why don't you just go to the pool?  I'm sure you can figure something out."  I listened to his advice, and showed up in swimsuit and bandaged toe next to the lifeguard on duty. 

"I'm not supposed to be here, I said to her.  I fractured my toe and my podiatrist said not to swim.  But I love the water."  Very calmly, she said "Put on a flotation device - it will keep your feet from touching the bottom of the pool."

Intrigued, I walked over to the big plastic bin of blue butterfly bandage-shaped flotation pieces and fastened one around my waist.  Once in the water, I was in heaven.  I was floating!    I laid back a bit, did not kick my legs, and used my arms to propel myself backwards.  What made it even more fun was that I was in the recreational lane with other people wearing flotation devices, everyone from older adults to babies to teens.  Everyone looked as happy and relaxed as I felt.  Why had I not done this before?

I had not floated before because I was too busy getting my half a mile of laps done.  Like other lap swimmers, I come with my goal and am focused on accomplishing that goal; there is no fooling around, no margin for fun.

There are so many great things about this floating business; here's a few of them:

* My head is above water, so I'm able to see all the great things going on around me - dads swimming with their babies; grandparents swimming with their grandchildren; people on the other side of the glass wall using the elliptical machines; families eating Chinese takeout in the pool observation room; lifeguards doing their jobs; swimmers kicking noisily in the lap lanes. I could also make contact with people if I wanted to:  I admired one lady floater on her robin's egg blue nail polish and she laughed with embarrassment.  Some of us floaters smile at each other, as if with a shared understanding of how happy it is to be floating.

I get to switch up my routine and experience the water in a different way.  When I'm doing straight laps (the crawl), I feel like my job is to push the water away.  When I'm floating, I am more focused on the sensation of being supported by the water.   It feels like a relationship that is based more on a certain elegant trust, rather than friction, tension, or trying to get through something.

*  I am focused more on enjoyment of being in the pool rather than rushing to get a specific task done.   I feel more in play mode, rather than in work mode. One day, I decided to try out an idea, which was to wear two flotation devices instead of one. I wrapped one around my hips and one around my waist.  By doing so, I was able to sit up straight, as if in a car, and still propel myself forward or backward with my arms.  This was the most fun I had had so far as a floater!

So these are my takeaways from this whole experiment in floating.  Let me know if any of them resonate with you:

* Even when we get orders to not do something,  it's handy to use one's own judgement about what's best to do, especially if instructions are rigid or based in fear. 

* There are helpers everywhere,  if we believe that there are and allow them to show up in our lives.

* Sometimes, it's useful, and even transformative, to take the activities we engage in all the time and approach them differently.

* Finally, it's interesting to reflect on this question: Where else in my life can I allow myself to float?

Thursday, August 01, 2013

TEN TIPS FOR GETTING ORGANIZED THIS SUMMER



MYTH: Being organized means having a home that resembles the pages of Real Simple magazine, with nary an object out of place!

TRUTH: Being organized means having a few systems and tools which free you up to spend more time with your friends and family and less time hunting for things you need or stressing about piles of stuff that have no rhyme or reason.

Here are ten organizing practices to get you going:

1. Set aside time to open your mail every day! Open mail over a trash/recycling can and throw out solicitations and other junk mail. Daily mail sorting prevents paper pile-up and the resulting feelings of overwhelm.

2. Use the RAFT acronym for handling papers.
R = Refer to someone else
A = Act on it if the action takes 5 minutes or less OR put it in an action pile
F = File it
T = Toss or recycle it!

3. Put old financial or archival documents which you don’t need to refer to often in a banker’s box and store on a high shelf. Create homes (binders, files, whatever works for you) for papers which come in on a regular basis – financial statements, bills, etc.

4. For de-cluttering, set aside a specific amount of time. It’s helpful to use a kitchen timer. Pick an area that you know you will be able to complete in that time frame – e.g., two shelves on the bookshelf, a dresser drawer, the top of your desk.

5. Look at one item at a time. Make a decision about each item before going on to the next. Do you want to keep it, toss it, repair it, or donate it? Make a pile for each category.

6. While going through books, clothing, jewelry, etc., ask yourself: Do I need it? Do I love it? Do I use it? Do I want it? Do I feel good when I wear it, use it, look at it? Keep or let go based on the answer.

7. When you come up against “I might need this someday,” trust that you can get what you need when the occasion arises.


8. With gifts and other objects of sentimental value, ask yourself: “Can I hold onto the memory without holding onto the object?” Choose the most precious memories and store or display them so that they are easily accessed – in albums or decorative storage boxes.

9. Have a designated place in your apartment for give-aways so that everyone can get into the habit of putting unused or unwanted stuff there. Choose a charity that you can easily walk or cab your stuff to, or one that makes pick-ups.

10. Put a vase of flowers anywhere in your apartment where clutter tends to accumulate. It’s less tempting to let clutter build up where there is beauty!

About Eleanor: A professional organizer since 1999, Eleanor assists busy New York women de-clutter and make better use of desks, closets, filing cabinets, and more. She has been featured in Time Out New York, The Brooklyn Paper, Family Circle, The Sun Times Chronicle, and Fitness, and was listed as one of The Park Slope 100.
 
Eleanor is also a writer, educator, and community-builder whose mission is to bring people together through the arts, creativity, and humor. She is Editor of the NY arts and culture blog Creative Times.

To contact Eleanor:   ETraubman{at}gmail{dot}com

Tuesday, July 23, 2013

FOR MY BROTHER ON HIS BIRTHDAY: MUSICAL MEMORIES (INSPIRED BY QUESTLOVE'S MO 'META BLUES)



If you haven't already, go pick yourself up a copy of Roots drummer Ahmir (aka Questlove) Thompson's Mo 'Meta Blues: The World According to Questlove. The stories of how he met KISS and Prince alone are worth the cost of admission.

Music is the prism through which Questlove fashions his life and through which he remembers precise moments in his personal history.  

So, in the spirit of Mo 'Meta and its author, I'm sharing some of my own music memories, mostly ones I shared with my younger brother, Adam.   I treasure these memories and am grateful I had such an awesome partner in crime to experience the music with!

 PS - Feel free to use the comments section to drop a few memories of your own.


1. All Night Dancing
Remember that song "Funkytown" by Lipps, Inc.? They had this other song called "All Night Dancing" which went on for almost EIGHT minutes.  One night, when I was about 10, my best friend and her parents came over for dinner.  My parents had this huge, old school slide projector and slide/movie screen set up in the livingroom, probably because we were showing our guests slides from a vacation.

While the adults stayed at the table to chat, my best friend,  my little brother and I peeled off and choreographed this awesome dance to "All Night Dancing."  We turned off the lights and moved in front of the slide projector so our dancing shadows showed up on the slide screen. (Very early MTV, no?) To accompany the sparkly disco lead-in sound, we rolled silver tinfoil into little balls and tossed them in the air as we danced around.  I think my mom had to pick them out of our olive shag carpet. 

Anyway, I am still proud of that dance we made up!!

2.  Breakin'/Beat Street
My mom let my brother and I go in to see Breakin' by ourselves.  I was super excited to wear these hightops I had found.  They were made of this sparkly rainbow weave fabric. I remember people in theater commenting on the shoes.  I LOVED them! My brother and I pretty much went wild for this part in the film where Turbo (played by Michael "Boogaloo Shrimp" Chambers) danced in a way that makes it look like he brought a broom to life. 

After we saw Beat Street, we got the soundtrack on cassette and memorized the words to stuff like The Treacherous Three's "Santa's Rap." 

3.  Willie Style
How my parents would start out  our family road trips out was by doing this:  Once we hit the highway, they'd  put a  Willie Nelson CD (or was it a cassette?) in the music system of our van, roll down the windows, and crank up the song "On the Road Again" to FULL VOLUME.  My brother and I were so embarrassed that we would hide down on the floor.  (Secretly, I loved this song!)

4.  It's Still Rock and Roll to Me

Billy Joel was big in our lives.  I remember getting Glass Houses and listening to the first side of the record, like, 50 times before we even flipped over to Side B.  

5.  Rollerskating Routines  
I'd find a bunch of extension cords, plug them together, and bring the radio all the way out to the driveway so I could make up rollerskating routines to songs.  So proud of the yellow and orange suede Adidas roller skates I found and the yarn pom-poms I made for them. (I think my brother got a pair, too?) Favorite rollerskating outfit:  Jungle print shorts, leotard, purple sparkly legwarmers my brother gave me, and, of course, the Adidas skates.

6.  Etc.

Other stuff we listened to on albums:

    1. Bob McGrath Sings for All the Boys and Girls
    2. Star Wars soundtrack 
    3. Fiddler on the Roof soundtrack
    4. A Christian album my mom bought from a door-to-door salesman with lots of morality tales built into the songs 
    5. The Perry Como Christmas Album
    6. "Nadia's Theme" (originally written for the film Bless the Beasts and the Children, it was also the theme song for the soap opera "The Young and The Restless") 
    7. Christmas with the Chipmunks 
    8. Rocky soundtrack
    9. Free to Be You and Me - Marlo Thomas
    10. The Limeliters - Through Children's Eyes
    11. Various John Denver Albums
    12. Up With People
    13. Viva Mariachi

    Tuesday, July 09, 2013

    REMEMBER "US GIRLS" FROM THE MOVIE BEAT STREET?



    Was just taking a walk down memory lane and came across one of my favorite bits from Beat Street. Anyone else remember this scene?

    Monday, July 08, 2013

    HANGING OUT WITH THE DIRECTOR OF FURIOUS BEAUTY



    After backing it as Kickstarter project, I was so psyched to get my own copy of Furious Beauty, a film about the dance company Versa-Style.  (See my post about the film HERE.)

    I was so moved by the film that, after watching it, I thought "I should really call the director and tell him how amazing this is!"  I didn't know how to reach him, so I sent this tweet:

     
     
     
    Eleanor Traubman @creativetimes
     
    Just watched and was blown away by @furious_beauty, the documentary about Versa-Style dance company
    So deeply moved!
    furiousbeautymovie.com
      
     04:58 PM - 18 Jun 13

    A day or two later, I received a friendly email from Calvin Leung, Director of Furious Beauty, letting me know he would be in NYC that weekend to screen his film. Talk about good karma!
    During their visit to The Big Apple, I met up with Calvin and also with dancer Daniel Norwood - aka DSoul - to talk about dance, community, and a whole lot more. 

    Calvin on Dance

    Calvin observes that the dance community, built around the greater good and not just around the individual, has a sort of surrogate family structure that involves lots of mentorship. "To create a family structure," he shared, "you have to make a conscious to look after someone.  Our culture is propagated by sharing it with more people on a one-to-one basis."

    Calvin also speaks to the creative aspect of dance, noting that, like other art forms, it's "interpersonal" and "can cut through our analytical side, which is important in an increasingly digital world."

    Daniel on Dance

    Daniel, who has been dancing for 3 and a half years, is grateful to the people and classes at Homeland (a neighborhood cultural center in Long Beach) who helped him "get past a barrier of feeling awkward, [of] being the white boy who couldn't dance." In dance, he is constantly challenged to expand his comfort zone. When he first started dancing, peers at Daniel's college thought that what he was doing was strange.  His mom, however, was supportive.  And one of the things working in his favor was his familiarity with discipline: Daniel had a history of being a competitive golfer."

    Notes Daniel about dance "It brings us all to the moment; unites us in the moment; connects us to the people around us; connects us with ourselves and with the music.

    Dance on Film

    Toward the end of our time together, I ask Calvin and Daniel about what dance films inspired them
    Daniel appreciated RIZE, a movie about some of the original Krumpers, for the freestyle and non-repetitive aspect of the movements.  Calvin, as someone who makes dance films, noted Dirty Dancing for the way the dancers conveyed affection through their hands.  He also treasures mime Robert Shields' Celebration of Imagination, sharing that  "Shields does what I want to do as a dancer, which is to own the moment."




    Friday, July 05, 2013

    FURIOUS BEAUTY: AN AMAZING FILM ABOUT THE EVOLUTION OF A HIP-HOP DANCE COMPANY



    Last year, I supported a couple of dance-based Kickstarter Projects.  One was the Ladies of Hip-Hop Festival, the other was Furious BeautyFurious Beauty is a film created by Calving Leung about the non-profit hip hop dance company and organization, Versa-Style.

    It took me a while to sit down the with Kickstarter copy of the movie which Calvin sent to me in the mail.  And when I finally did watch it a few weeks ago, I was totally blown away by it.

    In Furious Beauty, Calvin documents the history of the dance company Versa-Style, as well as the stories of its individual members.  One of the compelling aspects of this film is the way it follows the evolution of a dance pieceabout the fears of each of the dancers and the way they help each other face these fears.

    Given the heavy conditioning that men get hit with to not show fear or really any kind of vulnerability, t was especially interesting to see how the men of Versa-Style came together to talk openly about their fears and then create a dance out of those conversations and feelings.

    The other thing about this film that left a big impression with me was how fiercely its leaders, Jackie Lopez (aka Miss Funk) and Leigh Foaad (aka Breeze-lee), mentor the members of Versa-Style, helping both the individuals and the group to move forward together not just as performers but as people with all kinds of strengths and struggles.

    If you are an actor, dancer, choreographer, educator, leader of a nonprofit, or any kind of arts administrator, I highly recommend this film.   More info about it can be found HERE.

    Here's how Versa-Style describes who they are:

    Versa Style is a dance ensemble that consists of young, committed and conscientious artists representing the diversity and beautiful complexity of Los Angeles.

    We create highly energetic work that fuses dances that are culturally significant to our community. These forms include Hip-Hop styles such as 90s Hip-Hop, House, Popping, Locking, Whacking and Boogaloo, and Afro- Latin styles such as Salsa, Merengue, Cumbia and Afro-Cuban to name a few. As a reaction to the widespread media misrepresentation of these dance forms, Versa-Style specifically aims to perform for the youth of Los Angeles to instill the roots, history, and social and political issues surrounding the art of our generation.

    Hip-Hop breaks color lines by creating a forum where people come together for a common passion rather than grouping themselves by race or socio-economic backgrounds. Versa-Style demonstrates freedom of expression, freedom of individuality, hard work, self-discipline and dedication to the form.

    Monday, July 01, 2013

    SAVE THE DATE FOR GOWANUS GATSBY, A FUNDRAISER FOR DOUGLASS GREENE PARK



    Gowanus Gatsby, a Flapper Fête

    Friends of Douglass Greene Park to present a Brooklyn in the 20s themed
    soiree & awards dinner on October 5, 2013

    Brooklyn, New York -- On Saturday, October 5, 2013, the Friends of Douglass Greene Park will host the Gowanus Gatsby, a Flapper Fête fundraising benefit and its first-ever awards dinner. To be held at the Gowanus Ballroom alongside the canal, it will include celebrity hosts, a buffet dinner with open bar, an awards reception with live entertainment, dance instruction, a dance party with live DJs, aerial performers, slide shows of Brooklyn in the 20s and of Douglass Greene Park and its surroundings. There will be costume and dance competitions, and other activities reminiscent of the roaring twenties. Brooklyn Boulders and Homage Brooklyn will have climbing and skateboarding demo areas on ground floor. Don’t miss out on this historic and fun-filled hipster meets Gatsby event!

    The benefit will celebrate the completion of Phase 1 of the park’s renovation on its Third Avenue side and highlight the ongoing development of this vital and multi-faceted public park located on a full city block between 3rd Avenue and Nevins Street, and Douglass and DeGraw Streets in Gowanus.

    The Douglass Greene Park is used by hundreds of families living in Gowanus, Boerum Hill, Carroll Gardens, and Cobble Hill. Just a few blocks from the new Barclays Center – the park has a skate area, a children’s playground with a water feature, picnic tables, the popular “Double D” pool, free swimming lessons, basketball courts; and is a cooling center and hosts a free lunch program during the summer.

    The Friends of Douglass Greene Park, a 501(c)(3) organization, works with community and business partners to enhance the quality of life in the area through programming & special activities for all ages, creates much needed green space, works with the NYC Parks Department to assure completion of the park’s renovation, was successful in its appeal to the NYC Council in 2010 to restore funds to keep the park’s “DD Pool” open, and advocates for the renovation and accessibility of the pool.

    The following persons will be present to receive awards for their enormous efforts on behalf of Douglass Greene Park:  Honorees: Bill de Blasio (NYC Public Advocate & former Councilmember District 39/to be confirmed), Brooklyn Boulders/Lance Pinn, Building on Bond/John Kole, Jared Lewis & Phil Morgan, Homage Brooklyn/Michelle Sauer and Jose Portes, Stephen Levin (NYC Councilmember District 33), Joan L. Millman (NYS Assemblywoman 52nd Assembly District), Charlene Nimmons (President of Wyckoff Gardens Resident Association), Sue Wolfe (President of Friends of Douglass Greene Park & former President of Boerum Hill Association), David Yassky (NYC Taxi & Limousine Commissioner & former Councilmember District 33)  and Recognition: Martin Maher (Chief of Staff for Brooklyn/NYC Parks & Recreation), Marty Markowitz (Brooklyn Borough President),  Jo Anne Simon (founding member of Friends of Douglass Greene Park & Democratic District Leader and State Committeewoman for the 52nd Assembly District) and Gowanus Ballroom/Josh Young.

    (Lists in formation) Sponsorship: Boerum Hill Association, Brooklyn Boulders, and Homage Brooklyn; Blues/Jazz: Vocalist Riva Nyri Précil and jazz band; Aerial Performer: Melissa Canella; DJs include: Sharon Taylor; Creative Director: Artist/animator Mac Premo; Producer/Communications: Michelle Karshan; Host: Friends of Douglass Greene Park.

    Please support the Friends of Douglass Greene Park -- and your community -- by making a donation, purchasing tickets, or becoming a corporate sponsor for this event.  

    Choose your tickets to the awards buffet dinner with live music: Champagne Fountain, Jazz FanatiqueFlapper Femme Fatale, Art Deco DaisyTassle Necklace PearlsThe Green Light or the Gowanus Grinder tickets for the dance party only!

    For more info and to purchase tickets go to

    For more information on the work and current activities of the Friends of Douglass Greene Park, go to

    Interested in becoming a Corporate Sponsor of the Gowanus Gatsby event? Please contact Michelle Karshan at Michelle.Karshan@gmail.com

    Editors: For further information or images, please contact Michelle Karshan at Michelle.Karshan@gmail.com or by telephoning 917-853-0433

    Find us on Facebook at Friends of Douglass Greene Park

    Wednesday, June 26, 2013

    AHMIR THOMPSON - AKA QUESTLOVE - PRESENTS HIS NEW BOOK, MO' META BLUES



    Fow a while now, I've been following Questlove, drummer for The Roots, on Twitter.  Read a whole bunch of interviews with him, too. He has this really nice combo of humor and a serious ability to reflect on and analyze music and its relationship to everything else in life.

    In addition to catching him on his nightly gig with The Roots on Late Night with Jimmy Fallon, I've seen him live twice.  The first time, he was a panelist at the premier screening of the VHI rock doc Soul Train: The Hippest Trip in America (see my post on it HERE).  Given the huge role that Soul Train played in his own life, Ahmir made for a fantastic presenter at this Paley Center event.

    The second time I saw - and briefly met - Ahmir was last week at an event to promote his new book Mo' Meta Blues: The World According to Questlove.  At Powerhouse Books in Dumbo, Ahmir answered questions posed by both his co-author Ben Greenman and by audience members.

    Questlove first shared his reluctance to write the book. "I thought my story would be boring, " he stated.  [Wait.  What??!! ] He continued:  "My life has not been mired in the narrative of drugs and violence where I was saved by music."  

    He also expanded upon his reputation for having an incredible musical memory, one where he refers to particular songs to recall moments in his own personal history.  The first time he heard guitarist Bill Withers, at age 2, is when he cut his left hand pretending to play a glass guitar-shaped ashtray.

    As the son of a singer, Ahmir grew up steeped in music.  His parents pretty much eliminated television in order to make room for music.  His childhood home contained a 5000+ record collection, one which reflected the particular tastes of each member of the family.

    Questlove remembers 1996 as being a turning point in the life of Hip Hop.  "It's when Adam and Eve bit into the Apple: Hip Hop discovered consumer culture."

    Here's an abbreviated, paraphrased recap of  the audience Q and A portion of the evening:

    Q:  What are you listening to now?

    A: Comedy records, including Tig Notaro. 

    Q:  Who would be part of your dream music collaboration?

    A:  Bill Withers.

    Q:  What do you think of Kanye West's new album, Yeezus.

    A: You have to listen to live with an album for a month before you pass judgement on it.

    Q: What do you hope to have written four years from now?

    A: I am writing a book about Soul Train.

    Q:  How do you have time to do everything you do?  [Ed Note: In addition to being a drummer, Ahmir is a DJ, music journalist, record producer, and joint frontman for the The Roots, which is the in-house band for Late Night With Jimmy Fallon.}

    A: I will answer this question in 10 words or less:

    Average
    Workday
    19
    Hours
    Time
    For 
    Absolutely 
    Nothing 
    Else 
    Dammit!

    Post Script: The day after the PowerHouse event, Ahmir tweeted: "First day of summer. Sick. :( " and I tweeted back: "The world needs you well-rested, good man."

    I wanna see this guy live a good, long life.

    Photo Credit: biography.com

    MEETING BETTE SCHOLTZ, PRESIDENT EMERITUS OF BROOKLYN BOTANIC GARDEN

    On my first day as a volunteer docent at the stunning Brooklyn Botanic Garden, I had the pleasure of meeting the Garden's President Emeritus, Betty Scholtz.

    Bette, who has been with the BBG for 53 years, has her own office there and is still carrying on good and important work.

    While eating lunch together in the staff dining room, Bette told me wonderful stories of her history both at the BBG and as a resident of Brooklyn. 

    She's the kind of person I want to be both now and at her age:  sharp as a tack, vibrant, and totally dedicated to providing positive experiences for young people in the natural environment.

    When I went to take this photo of her during her coffee break, she raised her mug and brightly exclaimed "Cheers!"

    Here's some info the BBG shared about Bette on the 50th anniversary of her time there:

    On November 29, 2010, Elizabeth Scholtz, BBG's Director Emeritus, celebrated 50 years of outstanding service to the Garden. For half a century, Betty has been a vital resource for staff, volunteers, and visitors, who treasure her vast knowledge of horticulture and the good humor for which she is famed. Betty is a peerless ambassador and advocate for public gardens and horticultural education throughout the world. She has led over 100 botanical tour groups to 46 countries for BBG since 1966 and has mentored several generations of North American public garden professionals.

    Born in Pretoria, South Africa, in 1921, Betty received a Bachelor of Science in botany and zoology from the University of Witwatersrand in Johannesburg. After a distinguished career in medical research in Cape Town and Boston, she joined the staff of BBG in 1960 as head of Adult Education. She eventually became director of the Garden and also served as its first vice president. Under Betty’s watch, BBG weathered the city government’s bankruptcy, grew the Adult Education program from 1,100 over 4,000 students, and improved the Garden’s collections.

    Betty's unfailingly positive outlook on life, keen interest in people—especially in young people—and overarching love for gardens continue to inspire everyone she meets.